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TRDL Tribute: Lois Lane
30/11/05

This was done for the This Week jam.
There are seven people on the planet who don’t know who Lois Lane is, and it’s probably statistically unlikely any of them are reading this. What I found interesting in the contributions to this jam so far has been that with one exception, everyone chose a golden age interpretation of Lois in one way or another. I LOVES me some retro pin-up stylings, so it was an easy call for me. Didn’t enjoy the herringbone, though.
Enjoy!
You can see this illustration herein the TRDL Tribute Gallery.

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This Week Jam: Lois Lane
27/11/05
Hey everyone, I’m baaaaaaaaaaaack.
Wonderful work from everyone on the last two topics. I won’t try and comment on all of them, but I did enjoy seeing everyone’s entries. Take a bow, enjoy five minutes of warm and fuzzy time, but than back to the drawing board and on to the new topic…. Lois Lane
Vlad
P.S. Thanks to the D-man for filling in.
V
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TRDL Tribute: Jimmy Olsen
23/11/05

Here’s a quick one before Turkey Day… this was done for the TRDL R3 This Week Jam, and the subject is Daily Planet cub reporter Jimmy Olsen. That poor Jimmy, always in the wrong place at the wrong time. And when Lois asks for a zip-up assist, back away slowly.
You can see this illustration herein the TRDL Tribute Gallery.

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TRDL Tribute: Songbird
20/11/05

OK, this was also done for a This Week jam… but last week, not this week. Or rather, the week before last week. Things move quickly when you’re not looking.
Anyway, the character was Songbird, of Marvel’s Thunderbolts. Formerly Screaming Mimi, her Banshee-esque scream now channeled into ‘hard’ soundcasting’ of whatever form she likes, as long as it’s… pink. I really like the colors in this costume. The weird golden gauntlet and shoulder harness action was a creative design for the character, and I think Mark Bagley did a great job realizing these costumes for this team. Anyway, hope you like it.
You can see this illustration herein the TRDL Tribute Gallery.

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This Week Jam: Jimmy Olsen
20/11/05
That’s right, Freckles is up!
You all know this character, the little runt that’s forever crimping Supermans style! The “Rick Jones” of the DC Universe. The kid [according to his yearbook] “most likely to be a failed Superhero and convert to a failed World-Dominating-Master-of-All-He-Surveys Villain!”
I have little appreciation for this character but my mind is already trying to think of an idea…a way in…some redeeming element that I might use. Remember he has been some lame superheroe’s at various periods throughout his existance.
Personally I’d ram his sonic watch so far up his…..well now you know why I ain’t Superman
Good luck people and let’s see some inventiveness as this isn’t your “regular” draw a female games character with large breasts week, regretfully 
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TRDL Tribute: Cate Archer
19/11/05

This was done for the R3 Forum’s This Week Jam.
Cate Archer is a sexy bobbed spy in the James Bond videogame franchise. When reviewing the reference material, it struck me that so much of what I was excited about with this character were her cool, colorful mod outfits, and had several ideas about ways to lay out a piece that would focus on the clothes. Then it hit me, my favorite espionage/spy/assassin thriller female character was Nikita in Luc Besson’s La Femme Nikita, so I decided to do a homage to the most memorable scene from that film. The sniper rifle is based on a Fusil FR-F1, but gun fetishists please excuse any inaccuracies, as I have neither held one or pulled it out of a clawfoot tub.
You can see this illustration herein the TRDL Tribute Gallery.

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Enrico Salvini’s Top 10 Lies My Client Told Me
This was posted in an artshare group I follow, and has spawned about a week’s worth of rants. I thought it might be worth posting here as well, see what you all think. SOme of this might be familiar to some of you. It applies largely to commercial paid projects.
I should mention though, I have had virtually all positive experiences myself in terms of commission art, with the few glaring exceptions being wrong from day one anyway. These don’t apply to my personal experiences so much as an illustrator, than as an architect.
:::
Graphic Artist’s Guild Handbook Pricing and Ethical Guidelines
1-”Do this one cheap (or free) and we’ll make it up on the next one.”
No reputable business person would first give away their work and time or
merchandise on the hope of making it up later. Can you imagine what a
plumber would say if you said “come in, provide and install the sink for
free and next time we’ll make it up when we need a sink.” You would be
laughed at! Also the likelyhood is that if something important came along,
they wouldn’t use you.
WR: sadly, this is all too common in architecture. But architects are notoriously bad businesspeople. Too much emotion and insecurity, I suspect.
2-”We never pay a cent until we see the final product.”
This is a croc, unless the person is leaving the door open to cheat you out
of your pay. Virtually every profession requres a deposit or incremental
payment during anything but the smallest project. Once you have a working
relationship, you may work out another arrangement with a client. But a new
client should not ask you to go beyond an initial meeting and, perhaps some
preliminary sketches without pay on the job!
WR: I actually prefer to not take payment on commission work until after a rough is approved, but I know many artists want payment in advance.
3-”Do this for us and you’ll get great exposure! The jobs will just pour in!”
Baloney. Tell a plumber “Install this sink and my friend will see and
you’ll get lots of business!” Our plumber friend would say “You mean even
if I do a good job I have to give my work away to get noticed? Then it
isn’t worth the notice.” Also the guy would likely brag to everyone he
knows about how this would normally cost (X) dollars, but brilliant
businessman that he is he got if for free! If anyone calls, they’ll expect
the same or better deal.
4- On looking at sketches or concepts: “Well, we aren’t sure if we want to
use you yet, but leave your material here so I can talk to my
partner/investor/wife/clergy.”
You can be sure that 15 minutes after you leave he will be on the phone to
other designers, now with concepts in hand, asking for price quotes. When
you call back you will be informed that your prices were too high and Joe
Blow Design/Illustration will be doing the job. Why shouldn’t they be
cheaper? You just gave them hours of free consulting work! Until you have a deal, LEAVE NOTHING CREATIVE at the clients office.
5- “Well, the job isn’t CANCELLED, just delayed. Keep the account open and
we’ll continue in a month or two.”
Ummm, probably not. If something is hot, then not, it could be dead. It
would be a mistake to *not* bill for work performed at this point and then
let the chips fall where they may! Call in two months and someone else may
be in that job. And guess what? They don’t know you at all…..
6- “Contract? We don’t need no stinking contact! Aren’t we friends?”
Yes, we are, until something goes wrong or is misunderstood, then you are
the jerk in the suit and I am that idiot designer, then the contract is
essential. That is, unless one doesn’t care about being paid. Any reputable
business uses paperwork to define relationships and you should too.
WR: Yes, I couldn’t agree more. Why risk the friendship over misunderstandings?
7- “Send me a bill after the work goes to press.”
Why wait for an irrelevant deadline to send an invoice? You stand behind
your work, right? You are honest, right? Why would you feel bound to this
deadline? Once you deliver the work and it is accepted, BILL IT. This point
may just be a delaying tactic so the job goes through the printer prior to
any question of your being paid. If the guy waits for the job to be
printed, and you do changes as necessary, then he can stiff you and not
take a chance that he’ll have to pay someone else for changes.
8- “The last guy did it for XXX dollars.”
That is irrelevant. If the last guy was so good they wouldn’t be talking to
you, now would they? And what that guy charged means nothing to you,
really. People who charge too little for their time go out of business (or
self-destruct financially, or change occupations) and then someone else has
to step in. Set a fair price and stick to it.
9- “Our budget is XXX dollars, firm.”
Amazing, isn’t it? This guy goes out to buy a car, and what, knows exactly
what he is going to spend before even looking or researching? Not likely. A
certain amount of work costs a certain amount of money. If they have less
money (and you *can*) do less work and still take the job. But make sure
they understand that you are doing less work if you take less money that
you originally estimated. Give fewer comps, simplify, let them go elsewhere
for services (like films) etc.
10- “We are having financial problems. Give us the work, we’ll make some
money and we’ll pay you. Simple.”
Yeah, except when the money comes, you can expect that you will be pretty
low on the list to be paid. If someone reaches the point where they admit
that the company is in trouble, then they are probably much worse off than
they are admitting to. Even then, are you a bank? Are you qualified to
check out their financials? If the company is strapped to the point where
credit is a problem through credit agencies, banks etc. what business would
you have extending credit to them. You have exactly ZERO pull once they
have the work. Noble intentions or not, this is probably a losing bet. But
if you are going to roll the dice, AT LEAST you should be getting
additional money for waiting. The bank gets interest and so should you.
That is probably why the person is approaching you; to get six months worth
of free interest instead of paying bank rates for credit and then paying
you with that money. Don’t give away money.
:::
To the other artists on this board, have you had bad experience with shades of some of these? I know a few of you have. If you have advice for other artists here on how not to get ripped off, let it be known!
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Related posts:
- Publishing Opportunity: Ronin Studios
- Questions of paper
- TRDL Resources- Drawing the Human Figure in Proportion BIG!
TRDL – 100,000 Hits Spectacularama!
15/11/05

Yesterday, Third Rail Design Lab reached the 100,000 hit mark. To the big guys, that’s like three minutes of traffic. But we don’t advertise, don’t market much, and largely get spread around through word of mouth, so to speak. So that’s a lot of clickeroos.
We also recently welcomed our 200th member to the TRDL R3 Forum. That’s also small potatoes to the big guys, but huge to me, considering that this forum was a place for a couple of knuckleheads to argue about which superhero film is cooler or why I drew one foot larger than the other in some pic. Today, we have all of the entertainment news and reviews content from our old Monkey+Robot Reviews blog, plus a weekly art jam, links and galleries, and host a virtual drawing studio.
I think this is all quite swell.
Once I noticed we were actually getting some pretty reliable traffic, I started working on a celebratory illustration for hitting the 100,000 hit mark. That was back in August 05. On honeymoon, actually.
Let me know what you think. I hope you dig it. By now, I hate it. It gave me carpal tunnel.
Here’s to the next 100,000 hits, I say!

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This Week Jam: Hawkman
13/11/05
A missing This Week jam, unearthed thanks to Tawd’s query. Good call, Tawd.
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This Week Jam: Cate Archer.
13/11/05
Cate Archer from No One Lives Forever
I’m not altogether familiar with this character but I had been saying to Vlad that she reminds me of Liz Hurleys character from Austin Powers
http://archive.gamespy.com/top10/november00/catearcher/cate4.jpg
http://images.zatz.com/websites/computingunplugged/issues/issue200502/00001465-f.jpg
http://homepage1.nifty.com/gc/3dgame/nolf/nolf_title.gif
The last image here is a nice “graphic”. Anyway, hope y’all have some fun this week. Remember that Vlad’s away some that means we can all go hog wild and throw a party! Just means we have to tidy up before he gets back
Can’t wait to see all the great drawings.
-Darren.
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